Instead of bestowing sainthood on the grieving widower

The film, complete with various other items, fetishes and routines of titillation that paraphilia offers, is curious, wry eyed and amused, and looks at the whole issue of ual gratification as a personal choice, and watches it being performed and sought and enjoyed in the midst of mundane domesticity.The applause and laughter that followed was kinky.The person to whom the ass belongs is on all fours, and facing away. And she to inflicting pain, and a bond begins to form.Dogs Donrsquo;t Wear Pants, an absurdist, dark comedy around BDSM mdash; bondage, dominance/discipline, submission and sadism/masochism mdash; opens with the shot of a bare ass being whipped. His pants have a rumali roti size piece cut out to facilitate the kink.After the filmrsquo;s showing on Wednesday night, director Valkeapaa explained why he wanted to break away from the usual ldquo;sacredness of guiltrdquo;, spent several hours, along with the filmrsquo;s lead actors, with a dominatrix, wearing masks and observing, learning, taking mental notes.Imagine a husband mourning the death of his young, beloved wife in a tragic accident.

The guy seems to be getting off on the pain. Dogs Donrsquo;t Wear Pants investigates grief-and-guilt not as a continuum from other, previous films on the theme, but as it may fester and then embed itself in some corner of the psyche, controlling emotions and ual behaviour.The film shows erotic asphyxiation not as a worrying deviant behaviour, but as something some people may want, need and get off on. The pace, the mood, the grieving man, the lonely child. The lady, a professional dominatrix, is moving around him, saying mean things.What comes to mind? Unmitigated grief? Emotional paralysis? Enter Finnish director Jukka-Pekka Valkeapaa, and his film, Dogs Donrsquo;t wear Pants, which is playing almost every night at the Toronto International leather sofa cover Film Festival (Tiff) to packed halls and long applause.Standing next to him, the lead actress Krista Kosonen spoke of how difficult it was to get into the body-hugging rubber-leather-metal suit, and also that the man in the first shot, getting his bare ass whipped, was the director himself.While introducing Dogs Donrsquo;t Wear Pants, a Tiff programmer recalled a colleague saying that it was the ldquo;most upbeat, asinine filmrdquo; they had seen in a while.One of the secret joys of international film festivals is that the forbidden gets shown, watched and enjoyed without fear or demure.Grief and guilt.

Imagine him hating himself for not being able to save her, but surviving the accident himself. He is suddenly experiences a certain freedom, and a thrill. Imagine what that film will be like.Instead of bestowing sainthood on the grieving widower, Juha (Pekka Strang), the film makes him stumble into the red den of dominatrix Mona (Krista Kosonen) who, after insulting and whipping him, this time with a leather item known as the crop, tries to strangle him.As his breath is being choked out of him, Juha, a heart surgeon, is now hooked, to the play of pain, to being taken to the edge, of the near-death experience and keeps returning for more. Imagine a film around this theme.Imagine him now having to be a single parent to his young daughter who stood at the edge of the lake screaming, as her mother drowned.A lady in a black leather-rubber body suit is whipping the bottom of a man with whatrsquo;s known in the BDSM world as the flogger. Dogs Donrsquo;t Wear Pants is fabulously absurdist and, at times, takes the infliction of pain to such extremes that there was lots of nervous laughter in the hall.

Instead of bestowing sainthood on the grieving widower